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indie4me
 An archive of British indie, 1977 to now

The indie4me long read

The Knock at 384 Kings Road

In May 1982 an eighteen-year-old guitarist talked his way into a stranger's bedroom in Stretford and asked him to start a band. Five years later British music had a new grammar. How The Smiths were built — and what they left behind.

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Michele Harding · 19 Sept 2026

The Smiths — Morrissey, Johnny Marr, Andy Rourke and Mike Joyce.
The Smiths — Morrissey, Johnny Marr, Andy Rourke and Mike Joyce.Image supplied by the indie4me editor

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Origins

Number Forty-Nine

In Britain, The Doors were a minor act who never had a hit while Jim Morrison was alive. Their highest UK chart placing came twenty years after he died. This is the story of a band the British took seriously only once they were safely historical — and then built half of post-punk out of.

Pre-1977 · Los Angeles

Origins

The Conduit

He had the Velvet Underground before Britain could buy them, mixed the Stooges, produced Lou Reed and saved Mott the Hoople from breaking up — all in about eighteen months. What British indie took from David Bowie was never the costumes.

Pre-1977 · London

Origins

Thirty Thousand Copies

Everyone repeats the line about the first Velvet Underground album: nobody bought it, and everyone who did started a band. The truth is more interesting — and the story runs through a Welsh mining village, a London acetate, and almost everything British indie did afterwards.

Pre-1977 · New York

The indie4me long read

Sixteen Years an Overnight Success

Pulp recorded a John Peel session in 1981 and did not have a hit until 1994. The story of the longest apprenticeship in British pop — and of a band who got famous for being patient.

1990-1995 · Sheffield

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From the readers

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Sample Reader · 1979

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Sample Reader · 1986

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Sample Reader · 1993
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